With its playful mise en scène, lush palette of colours, gorgeous score, and cracking, subtle performances, Sorrentino’s patient, insightful crime film, chronicling the day-to-day life of a dour, disillusioned, middle-aged banker, virtually imprisoned by the Cosa Nostra in a Swiss hotel for eight years after losing over 200 billion dollars of Mafia money on the stock market, is a surprising, atypical gem that adds a level of poetry and humanity to a genre generally lacking such qualities. Iain.Stott
Thursday, 12 March 2009
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