Tezuka’s animated short film is an allegorical gem in which a boy, in a country where the freedom to daydream is prohibited, is sectioned when he tells his parents of his sightings/imaginings of the titular (fictional?) character. Iain.Stott
Atomic clouds mutate into glasses of beer, and aliens with drawers for mouths tell tales about how the (now extinct) human race used to worship toilet bowls, in this silly, irreverent, and (unsurprisingly) rather lightweight yet very entertaining look at the role that memory plays in our everyday lives, from Japanese animator Tezuka. Iain.Stott
Marxist Shindō’s entertainingly visceral film – following the day-to-day lives of a pair of war widows in feudal Japan, who, left to fend for themselves, are forced to resort to murder and theft in order to survive – is a distinctive, well-made, metaphor laden work that takes well-aimed pot-shots at capitalism, war, and religion. Iain.Stott
With its incredibly bold use of colour, unsettlingly original use of sound and music, and wonderfully expressive production design, Kobayashi’s remarkable, painterly film – an anthology of ghost stories, encompassing tales of samurais and musicians, woodcutters and lords – is a work of great power and breathtakingly sensual beauty. Iain.Stott
Although marketed as a horror film, Kurosawa’s enigmatic piece – in which members of the populace begin to commit suicide for no apparent reason – is designed more to stimulate the brain than the viscera; but whilst he clearly has something to say, quite what that is is never really clear, (but numerous scenes and images do stick in the mind). Iain.Stott
With its evocative photography, unsettling score, inventive production design, and top-notch performances, Teshigahara’s distinctive, dreamlike film – an enigmatic, sort-of adaptation of Abe’s (seemingly) unfilmmable novel, depicting a horribly disfigured man’s attempts to rejoin society with the aid of a very life-like mask, provided by a rather mischievous doctor – is an excellent follow-up to his previous work, the masterpiece Woman of the Dunes (1964). Iain.Stott
Mizoguchi’s post-war melodrama – depicting the bleak fates of a trio of women struggling to survive in the rubble-strewn streets of Osaka, detailing the losses and cruelties that they suffer as they are shepherded towards a life of prostitution – is a distressing, pessimistic work, but one brimming with great performances and unforgettable images. Iain.Stott
Aoyama’s elegiac, sepia-toned, three-and-a-half hour examination of grief and post-traumatic stress in a small Japanese town – depicting the curious behaviour of the three survivors of a bus-jacking that ended bloodily, two years previously – is a beautiful, moving, and uncompromising film, which certainly won’t suit all tastes, but those willing to commit their time and attention to its sensual rhythms will be richly rewarded. Iain.Stott
Cast: Wu Nianzhen, Issey Ogata, Elaine Jin, Kelly Lee, Jonathan Chang, Chen Hsi-Sheng, Ko Su-Yun, Hsiao Shu-shen, Lin Adriene, Yu Pang Chang
Yang’s exquisite, sprawling family drama – exploring the ups and downs of an extended Taipei family, comparing and contrasting teenaged and middle-aged heartbreak, spiritual & financial & moral crises, and the universality of human emotion and feeling – is an elegiac yet warm and funny minor masterpiece, and a fitting end to the great Taiwanese film-maker’s career. Iain.Stott
Cast: David Lampson, Don Kenny, Matsuhashi Noboru, Kato Yoshi, Iwamatsu Mako
Shinoda’s film about humanism’s battle against the evils of religious fanaticism, religious persecution, and martyrdom - in which a pair of Portuguese Jesuit priests land on the shores of 17th century Japan, where Christianity is banned, attempting to spread the word of Jesus, but end up captured by the authorities - is a fascinating, harrowing, and uncompromising work. Iain.Stott
Cast: Kirsten Dunst, Phil Hartman, Janeane Garofolo, Matthew Lawrence, Debbie Reynolds, Tress MacNeille, Edie McClurg, Kath Soucie
In this mildly diverting Studio Ghibli production, which promotes the more attractive of human traits, a 13-year-old witch, as tradition dictates, sets out into the world to make it on her own, deciding to settle in an idyllic seaside city, where she meets a kindly baker, who offers her a place to stay and work as a delivery girl, and gets into various scrapes. Iain.Stott
Teshigahara’s enigmatic, allegorical magnum opus – chronicling the escape attempts of an insect fancying school teacher, mysteriously imprisoned in a sandy dungeon with a taciturn woman by unscrupulous villagers, and forced into back-breaking manual labour – is, with its erotically charged performances, Segawa’s striking photography, and Takemitsu’s unsettling score, perhaps Teshigahara’s finest film and something of a masterpiece. Iain.Stott
Members of a happy Tokyo family begin to worry about the marital status of its eldest daughter, 28-year-old Noriko (the always wonderful Hara), who has so far she has laughed off suggestions of marriage; and so, when a possible suitor is identified, she announces ideas of her own, which are not immediately welcomed, in Ozu’s warm, poignant, gently humorous, and soul-caressingly beautiful ode to family life. Iain.Stott
At the risk of his own happiness, and despite her many protestations, an ageing Tokyo gentleman becomes determined to marry off his 27-year-old daughter, in Ozu‘s beautifully nuanced and quietly devastating film, which can boast cinema’s first pairing of the ever wonderful Ryu and Hara. Iain.Stott
An ageing woman (the outstanding Iida) goes to Tokyo to visit her only son (the doleful Himori), bringing with her great expectations, in this, Ozu’s first sound film, an exquisitely beautiful and achingly moving examination of nobility, sacrifice, disappointment, and broken dreams, which boasts one of cinema’s most devastating final scenes. Iain.Stott
Feature Film Original Title: 秋刀魚の味 Director: Ozu Yasujirō Writers: Noda Kōgo, Ozu Yasujirō Cinematographer: Atsuta Yuuharu Composer: Saitō Kojun Cast: Ryū Chishū, Iwashita Shima, Sada Keiji, Okada Mariko, Yoshida Teruo, Maki Noriko, Mikami Shinichirō, Nakamura Nobuo, Tōno Eijirō
Ozu’s ominous, portentous mise en scène elegantly frames a simple story of an ageing widower who gradually comes to realise that he must, even at the risk of his own happiness, let his adult daughter fly the nest, in this subtle, poignant, and beautifully acted masterpiece. Iain.Stott
Mizoguchi's beautifully crafted film introduces us to a world where east & west and traditional & modern make uncomfortable bedfellows, movingly chronicling the struggles of a geisha and her teenaged apprentice, as their noble world becomes horribly tainted by big business. Iain.Stott
Brazil/Canada/Japan Feature Film Director: Fernando Meirelles Writers: Don McKellar, José Saramago Cinematographer: César Charlone Composer: Uakti Cast: Julianne Moore, Mark Ruffalo, Alice Braga, Iseya Yusuke, Kimura Yoshino, Don McKellar, Maury Chaykin, Danny Glover, Gael García Bernal
A shit-smeared, metaphor-laden film from Meirelles, with excellent production values and convincing performances, Blindness chronicles a pandemic that leaves its victims without sight, and in the process paints a portrait of humanity in all its naked shame (and glory). Iain.Stott
UK/USA/France/Belgium/Japan/The Netherlands/Sweden/Norway/Canada/Australia/Finland/Poland/Iran Television Documentary Mini-Series Directors: Dai Richards, Delphine Jaudeau, Paul Mitchell Cinematographers: Emyr Jenkins, Farzin Khosroshahi, David Niblock, Richard Numeroff, Sheila Smith, Vladamir Trivic Composer: Samuel Sim Narrator: Tony Gardner
A fascinating, even-handed look at the continuously tortuous relationship between Iran and the West since the Islamic revolution of 1979, boasting a fabulous array of interview subjects from both sides of the divide, including a number of former presidents. Iain.Stott
Television Documentary Writer/Director: Tom Roberts Cinematographers: Petra Graf, Tom Roberts, Jonathan Partridge Featuring: Major Robert 'Snuffy' Gray
Using the unique story of Major Robert 'Snuffy' Gray, a veteran of three wars and an adopted member of the Lakota Indian tribe, as its centre-point, this beautifully paced and often painfully moving depiction of the broken lives of a number of veterans, paints a portrait of war as an endless and deeply human tragedy. Iain.Stott